PATTERNS OF BEHAVIOR

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And when, after long centuries of slow forgetting, migration, and climatic change, the knowledge of the mystery was finally lost, we in our anguish traded partnership for dominance, traded harmony with nature for rape of nature, traded poetry for sophistry of science. In short, we traded our birthright as partners in the drama of the living mind of the planet for the broken pot shards of history, warfare, neurosis, and-if we do not quickly awaken to our predicament-planetary catastrophe.
Terence Mckenna, Food of the Gods pg. 40 (via subconsciousflow)

midcenturymodernfreak:

1964 Grocery Checkout - Via

icrowdcontrol:

Meet America’s First Family of Weed

vicemag:

Taking Photos of Jihadis in Battle Isn’t As Easy As It Used to Be

When Robert Nickelsberg began his career as a photojournalist, all it took to embed with the mujahideen was a phone call to their PR representative. We talked to him about what’s changed.

historywars:

German fallschimjager.

From one point of view the Transcendent Other is nature correctly perceived to be alive and intelligent. From another it is the awesomely unfamiliar union of all the senses with memory of the past and anticipation of the future. The Transcendent Other is what one encounters on powerful hallucinogens. It is the crucible of the Mystery of our being, both as a species and as individuals. The Transcendent Other is Nature without her cheerfully reassuring mask of ordinary space, time, and causality.
Terence Mckenna, Food of the Gods pg. 41-42 (via subconsciousflow)

satanic-capitalist:

Video: Mass rally against austerity turns violent in Rome

red-lipstick:

Keiko Tanabe (b. Kyoto, Japan) - Pacific Coast Highway III, 2010    Paintings: Watercolors

CBS has just declared war on the heartland of America. No longer is comedy going to be a covert assault on traditional American, conservative values. Now it’s just right out in the open. This hire is a redefinition of what is funny, and a redefinition of what is comedy.
Rush Limbaugh (via azspot)

Amber Lyon | The Duncan Trussell Family Hour

Emmy award winning journalist Amber Lyon joins the DTFH to talk about her year spent traveling around the planet taking psychedelics.

historywars:

Nurse with gas mask

“Sex negative” and “sex positive” are relatively useless terms in terms of discussing feminist approaches to issues of sex and sexuality. The terms convey the message that “sex positivity” equals support for a vision of sex and sexuality that is defined by patriarchy and one that is primarily libertarian. What’s defined as “sex positive feminism” tends to translate to: non-critical of the sex industry, BDSM, burlesque, and generally, anything that can be related to “sex.” “Non-judgement” is the mantra espoused by so-called “sex-positive feminists,” which is troubling because it ends up framing critical thought and discourse as “judgement” and therefore negative. Since I tend to see critical thinking as a good thing, the “don’t judge me”/”don’t say anything critical about sex because it’s sex and therefore anything goes” thing doesn’t sit well with me.

“Sex negative,” on the other hand, tends to be ascribed to feminists who are critical of prostitution, pornography, strip clubs, burlesque, BDSM and, really, sex and sexuality as defined by patriarchy and men. The reason that feminists are critical of these things is because they want to work towards a real, liberated, feminist understanding of sex and sexuality, rather than one that sexualizes inequality, domination and subordination, is male-centered, and is harmful and exploitative of women. To me, that sounds far more “sex positive” (from a feminist perspective, anyway), than blind support for anything sex-related, because sex.

The divide isn’t between ‘sex negative’ and ‘sex positive’ feminists — it’s between liberal and radical feminism (via feministcurrent)
poolsofchrome:

Wake up Braincase—it’s been 10,000 years

poolsofchrome:

Wake up Braincase—it’s been 10,000 years